An Interview with Donna Hazelton

dc51139fdae9acf9867d4e302f8134d3250dac24.jpgHello Donna, so where ya from & where ya at, geographically speaking?
I’m originally from Lochgelly in Fife but now living in ‘Costa Del Leven’

When did you first realise you could sing?
Well my mother’s family were all singers and in fact my grandad recorded a 78rpm record back in the 40’s. And as a child we were all encouraged to get up and ‘do a turn’ so I guess you could say I was pretty young when I realised I could get up on a stage and belt out a number or 2.

Why musical theatre?
I have always loved the fantasy of musical theatre. I think its just the escapism of it all. I mean where else in the world does someone burst into a song and dance routine in the middle of a story?

You’ve just been washed up on a desert island with three good films & a solar-powered TV/DVD combo. Which would they be?
Ach that’s a hard one!! Probably a Sony if I was honest!! Haha I guess my 3 favourite films would be ‘Ghost’, ‘It’s A Wonderful Life’ and ‘Our Wedding’ (which was shot in Carnegie Hall in Dunfermline when I married my husband, Jon, on stage!)

Back in 2014 you won Channel 4’s Musicality programme. What effect did this have on your career?
Well actually up until that time I was doing cabaret in clubs and some local amateur theatre. Musicality changed my life and gave me the chance to perform in the West End, tour Europe, Dubai and the UK and to make life long friends. I’ve been very lucky to do something I love doing.

What does Donna Hazelton like to do when she’s not being theatrical?
When I’m not walking my dog Bella, I enjoy playing in the dressing up box and watching ‘Homes Under The Hammer’ on the telly!

When it comes to musical theatre, when can you tell you are giving a good performance?
Some people need to be told they’re good but if you’re doing it right, you just know and if people appreciate it then that’s all for the better.



You have just commenced a tour of GIRLS NIGHT OOT!. Can you tell us about the show?
It’s a full on 2 hours of brilliant, laugh out loud entertainment with great sing along songs as well as a little poignancy……BUY A TICKET AND COME SEE FOR YOURSELF!!

How has it been going so far?
We’ve been on the road with this for over a year now and everywhere we go we gather a few more fans! It just has all the right ingredients for a ‘guid night oot’!

What does the rest of 2017 hold in store for Donna Hazelton?
There’s not really much left of 2017 but what there is will be more performances of GNO and then a lovely family Christmas to look forward to.

You can catch Donna & the rest of the girls this Autumn

Lanark Memorial Hall
Fri 29 Sep

Eastwood Park Theatre, Glasgow
Thu 5 Oct

Byre Theatre, St Andrews
Sat, Oct 7th

Òran Mór, Glasgow
Sun 8 Oct

Motherwell Concert Hall and Theatre
Sat 21 Oct

Theatre Royal Dumfries
Sat, Oct 28th

The Brunton, Musselburgh
Thu 9 Nov

Barrfields Theatre, Largs
Fri 10 Nov

Carnegie Hall, Dunfermline
Sat, Nov 11th


Cast Announced For Wicked 2018





Aaron Sidwell (Fiyero), Helen Woolf (Glinda) and Amy Ross (Elphaba).  Photo Credit Darren Bell. SML.jpg
Aaron Sidwell, Helen Woolf & Helen Ross

WICKED, the West End and Broadway musical phenomenon that tells the incredible untold story of the Witches of Oz, is delighted to announce that Amy Ross (Elphaba), Helen Woolf (Glinda), Aaron Sidwell (Fiyero), Steven Pinder (The Wizard and Doctor Dillamond), Kim Ismay (Madame Morrible), Emily Shaw (Nessarose), Iddon Jones (Boq) and Nikki Bentley (Standby for Elphaba) will lead the cast of the spectacular, critically acclaimed and multi record-breaking UK & Ireland Tour when it returns to Edinburgh Playhouse for its only Scottish dates from 8 May to 9 June 2018.

Amy Ross (Elphaba) has most recently been starring as ‘Nicola’ in the hit musical Kinky Boots in the West End. She previously appeared in Sunny Afternoon, playing ‘Joyce’, at both the Hampstead Theatre and in the West End; Helen Woolf (Glinda) has most recently been appearing in the London production ofWICKED and was also part of the original 2013 UK & Ireland Tour company. She has played the role of ‘Glinda’ on many occasions; Aaron Sidwell (Fiyero) has just finished playing ‘Steven Beale’ in the BBC’s EastEnders, a role he originally played in 2007/08. His many acclaimed musical theatre appearances include Grey Gardens (Southwark Playhouse), American Idiot (Arts Theatre, London) and the leading role of ‘Michael Dork’ in Loserville The Musical (West Yorkshire Playhouse and in the West End); still best remembered as ‘Max Farnham’ in BrooksideSteven Pinder (The Wizard and Doctor Dillamond) starred in the UK & Ireland Tour (joining in 2014) and on the International Tour of WICKED. He also played Doctor Dillamond in the West End. Kim Ismay (Madame Morrible), Emily Shaw(Nessarose) and Iddon Jones (Boq) all recently starred in the International Tour of WICKEDNikki Bentley (Standby for Elphaba) has recently appeared in the Asian Tour of Ghost The Musical, the UK & Ireland Tour of Shrek the Musical and in Monty Python’s Spamalot in the West End.

The full UK & Ireland Tour cast is confirmed as Amy Ross (Elphaba), Helen Woolf (Glinda), Aaron Sidwell (Fiyero), Steven Pinder (The Wizard and Doctor Dillamond), Kim Ismay (Madame Morrible), Emily Shaw (Nessarose), Iddon Jones (Boq), Nikki Bentley (Standby for Elphaba), Charli BaptieJason BroderickSamantha BrownHannah CadecGrace ChapmanJames Davies-WilliamsHoward EllisAmy GoodwinDaniel James GreenawayJack Harrison-CooperCharlie KarlsenNicole LupinoStuart MacIverStacey McGuireSara MorleyEmily Olive BoydGeorgia Rae BriggsPaul SaundersJames TitchenerHelen WalshAmy WebbLuke Woollaston and Benjamin Yates.




Edinburgh Playhouse
19th – 23rd September 2017

Stagecraft: Book: four-stars.png Performance: four-stars.png

As Summer turns to Autumn, Edinburgh Playhouse plays host to Cilla, The Musical.  A colourful and entertaining production brought to us by Bill Kenwright and Laurie Mansfield, Cilla is the fascinating and true story of the rise of one of Britain’s most renowned singers, Cilla Black.  The set-design and stage-production combined seem to me to be one of the best artistic creations to have graced the stage at the Edinburgh Playhouse. Beautiful and realistic to every point, we are thrust back in time to a halycon age of music and change. The Cavern in Liverpool; Cilla’s family home; Recording Studios at Abbey Road and live American TV were all featured in this heart-warming show. Taking on the role of Cilla is Kara Lily Hayworth, who as singer and actress has an impressive back catalogue dating back to 1999.  With a strong cast, production and a 1960s wardrobe, this was sure to be an education as much as a musical. The journey begins in the early 1960s, with the song Some Other Guy done by the Big Three(the soon-to-be-Beatles. From the outset, it is obvious through the energy filling the room that this was a musical made for the people.  Direct in its approach and true to the life of Cilla,  this production takes a torch and shines the light on a courageous talented young girl who became a well-loved singer and household name until her recent passing away in 2015.


If it is the Golden Years you are looking for, then this is the show for you. Spread out over two Acts and with 29 songs from Cilla herself, plus The Beatles, Mamas and Papas, John Lennon and Gerry and the Pacemakers… this near 3 hour extravaganza is a thrilling experience. Like a run away train this show never stops. Powerful and addictive it has you hooked.  The delivery of the songs, the cutting edge acting and the attention to detail was excellent. Cilla the Musical is full of colour, fun, energy, humour, laughs, thrills, music and emotion that is refreshing to see. Cilla offers up more than just a musical, however, like a Hollywood biopic it gives us an insight into the life and struggles of an ordinary girl who has a dream. With feet unable to stop moving and legs willing to dance this was a chance to be part of something special, a night out with Cilla and friends. Magical and endearing from start to finish it leaves you with happy memories of times past. Superb !!!!

Reviewed by Raymondo Speedie



Grease is the word (2) Photo by Paul Coltas.jpg

Edinburgh Playhouse

September 11-16

Stagecraft: five-stars Book: five-stars Performance:four-stars.png

Grease T Birds  Photo by Paul Coltas SML.jpg

Way back in 1970, Jim Jacobs & Warren Casey started penning a musical which looked back to their own teenage hijinkerie in 1950s America. Starting off in the draughty old former trolley barn that was the Kingston Mines Theatre in Chicago, within a year their baby was embedded on Broadway & by the end of the decade had been transformed into one of the greatest musical films ever made. Grease is an eternal, funthrobbing time-capsule of a classic, & it is great to see director David Gilmore touring Britain with a young cast of talented pseudo-American ‘teenagers.’ Watching Grease for the first time on the stage, I realised that Hollywood had taken liberties with the book, creating a topsy-turvy version that would please the filmgoer more. Thus, watching the pure version for the first time was a great sensation – a few lovely surprises tossed into the ever-familiar progress of a full academic year at Rydell High. As a kid myself, whomever got up first between me & my sister at the weekends got to pick the morning’s video. If it was me, it was Raiders of the Lost Ark, if it was my sister it was either Dirty Dancing or Grease – thus the entire script & score of Grease is embedded in my psyche!

Tom Parker (Danny) and Danielle Hope (Sandy) Photo by Paul Coltas (2).jpg

‘I don’t know why I ever liked you Danny Zuko…!’


There was a genuine & lovely rapport between our leads, The Wanted’s Tom Parker as Danny – fresh into his first foray into Musical Theatre – & Danielle Hope as Sandy. In a recent interview with the Mumble, Tom – who heralds from Bolton – spoke of that chemistry’s core tenet, stating that Danielle was;

From Manchester as well, actually, so we share a common ground, we have quite the same sense of humour, or example, I really like Danielle, shes a total pro & I’ve learned a lot from her to be honest

Danielle, the ‘total pro‘ as Tom calls her, arrives on the Playhouse stage via a more formal route through the halls of Musical Theatre Academe – performing at the Royal Variety along the way – & some of her renditions of Sandy’s songs are simply sublime. The rest of the teenage wolf-pack were excellent too, with Alessia McDermott & her nimble dancing feet making a stand-out Cha-Cha, while Oliver Jacobson was a highly entertaining & bubbly Roger. I even, for once, enjoyed ‘Beauty School Drop-out.’ I always used to fast-forward the bit in the film with that song, but its natural set-piece home is of course on the big stage, & was delivered in Edinburgh with a sexy & caricatured ensemble of poppy pezzazz.

T birds. Photo by Paul ColtasPost La-La Land, musicals are cool again, but Grease simply has to be the coolest of them all. For this particularly silky-slick rendition, above the proceedings the band dished out music like a prostrate Showaddywaddy; sometimes funky, sometimes not quite on the pulse, but never lacking in vibes at any point. The sets were startlingly striking – like showbiz dynamite – cohesive & transportative, & the whole package when combined gives Grease 2017 an edge over many of its competitors. From the moment the T-Birds & Pink Ladies burst onto the stage in an explosion of life, sound & colour – with ‘Grease is the Word’ rebounding about the excellent acoustics of the Playhouse – to the vibrant medley at the end, one really could not take one’s eyes of proceedings, nor stop tapping one’s feet. Fantastic & universal stuff!

Reviewer : Damo


An Interview with Tom Parker

Next week Danny, Sandy & the Class of ’55 come rockin’ into Edinburgh.

The Mumble managed to catch up with leading man, Tom Parker.

Hi Tom, so where ya from where ya at, geographically speaking?
I’m from Bolton & I’m currently on the Magaluf Strip. I’m just here for a few days because we’ve got a week off at the moment. Its just been nice to get away for a little bit.

When did you first realise you were musical?
I would say at a pretty young age to be honest with you. I used to go on karaoke quite a lot when I was a kid. Then I went to secondary school & it kinda fell off – I didn’t really do anything until I was 15 when I picked up a guitar again. Yes, it was probably at 15 when I realized I wanted to do music full time.

You rose to fame as part of the boyband, The Wanted – can you tell us about it in a nutshell?
Do you know what, it happened pretty quickly. It was a bit of a whirlwind to be honest. We auditioned for like 9 months & then 9 months after we were in it we had a number one single & then two months after that we had a top 5 album… I was like ‘how did this happen’ – it was really quickly. Then we did 5 years travelling all over the world, we had the best selling song of the year in America in 2013. It was absolute chaos but I absolutely loved it.

What does Tom Parker like to do when he’s not being musical?
I like to go out, have a drink with my mates, just do normal stuff. Have dinner with my fiance. I kinda keep thigs as normal as possible. I like normality.

Moving on from The Wanted, you got into DJing right, collaborating with Richard Rawson on a track called “Fireflies” : what was your role in that?
I was the vocalist on it. I knew Fazer quite well, we used to do quite a lot of gigs together, & he just got in contact with me & said listen I’d love you to come & do some vocals on my record – & I listened to the song & said mate, that song’s amazing – yeah, I went in & vocaled it & it was like the first thing I did on my own. I love that record, its such a good song

Why the step into musical theatre?
Well that happened pretty randomly, to be honest. My name got chucked in to the mix to  play one of the other roles in the show- & then they asked me to come back & audition for the lead part to play Danny – again, that literally happened within 2 or 3 weeks – they  called me back & said look, we’d like you to play the lead in the show – I said OK.

Have you had to do some training & if so where ?
Yeah – so I didn’t train when I was younger, but obviously for this role we had quite an intense period, it was 3 or 4 weeks of us getting instructions in choreography & all that, yes, we did have some initially, we had pretty much a crash course, but now I can do it in my sleep

How is it going with Danielle Hope playing Sandy, hows the chemistry?
Well she’s from Manchester as well, actually, so we share a common ground, we have quite the same sense of humour, or example, I really like Danielle, shes a total pro & I’ve learned a lot from her to be honest

You’ve been on tour for six months now & are just about to bring Grease to Edinburgh. Have you ever been to the city before?
I actually played the Playhouse with The Wanted back in 2010. I’m looking forward to coming back. I really love Edinburgh, it’s a beautiful city.

You can catch Tom Parker playing Danny in Grease

11th-16th September @ The Edinburgh Playhouse

ATLANTIC : America & The Great War


Assembly Hall @ Mound
4th – 26th August 3pm

Stagecraft: three-stars.png Book: four-stars.png Performance: four-stars.png

Performing in the heart of Edinburgh, in one of the most iconic buildings to look over Princes Street, was the modern musical masterpiece Atlantic : America and the Great War. Born from a partnership between American Music Theatre Project, the Royal Conservatoire of Scotland and Noisemaker, this was sure to be a production of high quality. Thus, my prediction came true, & I witnessed a new musical which offered up a concoction of singing, theatre and storytelling from a young cast of 15 actors. Atlantic is both voyage of discovery & a tapestry of truths and confused emotions, all of which leads down an unraveling road of unsuspecting situations. The practical stage-props were visually a piece of architectural genius…. a rope, some chairs, a few tables and boxes t0 carry the imagination through the waves and roads of America and Europe.

The central story-point of this moving musical presents us with a lost lady and her now much-worried sister, who embarks on a treacherous journey Telemachus-like to foreign lands ravaged by the battles of WW1. Along the way Annabelle learns as much about herself as she does about the fate of her sister. Travelling on trains, buses and ships she searches endlessly for one glimpse of hope in finding her beloved Jane.

This musical grabs the audiences attention like a total eclipse of the sun. With an American folkish musical score that is synchronised to create a connective purpose between actors and sound, Atlantic gives us a unique look at collective arts. Each actor has their part to play and without fail they preform with ease and grace. This is historical education as much as a musical in performance; rich in ideas it portrays the lives of those young souls lost at sea. Soft in its approach but decisive in its execution, the cast turned out a memorable performance. Bird-sweet voices sing you along a path of righteousness, unlocking the doors of perception, stirring up the deep emotions within us and leaving a very prominent tear in the eye. Sad, encouraging and magical, the true human spirit is alive in this musical. Tickets for this show are sailing away quicker then they can print them so cast your line and grab your seat for a Fringe special. Incredibly enjoyable!

Reviewed by Raymondo


Thrill Me


C – Too
12th – 27th (Not 14th)

Stagecraft: five-stars Book: five-stars Performance: five-stars  

Thrill Me 202 - Photographer Sebastian Akehurst.jpg

This theatrical masterpiece takes place in Chicago in 1924 and tells the true story of two young men who embark on committing the perfect, Nietzsche inspired crime through murder!!! Richard and Nathan are best friends but also tentative lovers. Chicago, in fact, is a unique place in which the first organization for homosexual rights in America was established here in 1924. This allowed the free flowing openness of their relationship to blossom. Fast-forward to 2017 & the stage is set out well, props are inviting to thought and transmogrify an eerie atmosphere about a full auditorium. The tension in the air is palpable to all present. Accompanying the actors is a well-written and devised musical score played out with incredible dramatic impact. Period clothes and haircuts set the characters on fire !!!! Then all is quiet…

Nathan Leopold, Jr. & Richard Loe

Thrill Me is a piece of historical truth,  hardly known in 21st century Europe, but was once the ‘Crime of the Century‘ in America.  Any insight to the darker side of human nature always intrigues the willing minds of a curious fellow human beings. Thrill Me provokes you, twists you, bends you and at times catapults you into a world of unanswerable questions. With a splash of wit and humour tossed in to lighten the mood in pockets, the tension is slightly subdued but never gone. You become transfixed and thrown into a murky world of violence, love , betrayal, child killing and treachery.. Bad faith can wait…

Thrill Me 201 - Photographer Sebastian Akehurst.jpg

A musical piece of theatre with the art of storytelling at the center. With a flawless delivery and execution of the songs and lines, Richard and Nathan become more believable with every word. A dark tale of two obsessive men that are fueled by so much destruction, which evidently causes the ultimate fall from grace. If you wish to be tried and tested from a psychological point of view, “Thrill Me” will take you to that place. Explosive & intense  is a mere understatement. A play that leaves you speechless and gets under your skin can only be achieved through great research and acting, & Thrill Me offers this in abundance. Put aside the subject matter and you are left with a spellbinding & beautifully crafted take on a delicate story of death and love.. a must see at this years 70th Edinburgh Fringe.

Reviewer : Raymondo